{"id":2423,"date":"2026-05-17T21:16:23","date_gmt":"2026-05-18T00:16:23","guid":{"rendered":"https:\/\/nadadorcine.com\/?page_id=2423"},"modified":"2026-06-05T13:52:28","modified_gmt":"2026-06-05T16:52:28","slug":"proyectos","status":"publish","type":"page","link":"https:\/\/nadadorcine.com\/en\/proyectos\/","title":{"rendered":"PROJECTS"},"content":{"rendered":"
\n \n\n \n
\n \"La <\/div>\n\n \n
\n

Justice<\/h2>\n
\n Stage :<\/span>\n Advanced Development \/ Filming 2027<\/span>\n <\/div>\n
\n Director :<\/span>\n Mat\u00edas Ganz<\/span>\n <\/div>\n
\n Script :<\/span>\n Gonzalo Delgado and Mat\u00edas Ganz<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer Cinema<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Justice, a legal melodrama, is an anti-police drama. An absurdly naturalistic comedy about the private life of a prosecutor in northern Uruguay, near the Brazilian border. Crime scenes, interrogations, and trials are merely the backdrop against which this bureaucrat grapples with unrequited love, resentment, extraterrestrial epiphanies, and religious convictions. <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"El <\/div>\n\n \n
\n

The Gaucho and the Wind Horses<\/h2>\n
\n Stage :<\/span>\n Advanced Development \/ Filming 2027<\/span>\n <\/div>\n
\n Director :<\/span>\n Juan Gonnet<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer Cinema \/ Muiraquit\u00e3 Filmes<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Pablo, a man steeped in the traditions and values of the Uruguayan countryside, discovers in Tibetan Buddhism a spiritual path that intertwines with his gaucho identity. Inspired by the teachings of his mentors, he embarks on the challenge of rescuing horses destined for the slaughterhouse, so they can live in freedom. <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"El <\/div>\n\n \n
\n

The longing of the soul<\/h2>\n
\n Stage :<\/span>\n post-production<\/span>\n <\/div>\n
\n Director :<\/span>\n German Ormaechea<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer (Uruguay) People (Brazil) Animist (Uruguay)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Internationally recognized for her extraordinary artistic career, Graciela Figueroa has dedicated her life to exploring movement as a tool for human transformation. A dancer, choreographer, teacher, and creator, she has built a unique body of work that integrates contemporary dance with cultural traditions from different continents, leaving a profound mark on cities such as Montevideo, New York, Rio de Janeiro, Madrid, and Santiago de Cuba. <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Orgullo\" <\/div>\n\n \n
\n

Pride<\/h2>\n
\n Stage :<\/span>\n Development \/ Filming 2028<\/span>\n <\/div>\n
\n Director :<\/span>\n Carlos Morelli<\/span>\n <\/div>\n
\n Script :<\/span>\n Carlos Morelli<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer Cinema (Uruguay) \/ Gale Cinema (Argentina)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Juan (38), a proud and stubborn tire repairman, runs his family tire shop on the side of a secluded road, where he repairs tires while sharing beers and soccer with his neighbors. His world shatters when Happy Tires, a corporate chain with flat-screen TVs, automated technology, and models in miniskirts, opens up across the street and leaves him without customers. Juan clings on... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"No <\/div>\n\n \n
\n

It's not a river<\/h2>\n
\n Stage :<\/span>\n Development \/ Filming 2028<\/span>\n <\/div>\n
\n Director :<\/span>\n Diego Mart\u00ednez Ulanosky<\/span>\n <\/div>\n
\n Script :<\/span>\n Arauco Hern\u00e1ndez \/ Diego Mart\u00ednez Ulanosky - Based on the book by Selva Almada<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Aji Molido (Argentina) \/ Caponeto (Mexico) \/ Nadador Cine (Uruguay)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Tilo, a teenager scarred by violence, is taken by his deceased father's two best friends to an island where the tragedy occurred years before. The trip, intended as a rite of passage, soon reveals cracks: old rivalries persist among the men, and the story of the father's death begins to unravel. After capturing a giant stingray, an act... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Costanera\" <\/div>\n\n \n
\n

Waterfront<\/h2>\n
\n Stage :<\/span>\n Post Production<\/span>\n <\/div>\n
\n Director :<\/span>\n Mauro Diez Concari<\/span>\n <\/div>\n
\n Script :<\/span>\n Maurio Diez Concari \/ Elena Tramonti \/ Enrico M. Minto<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Minerva Pictures \/ Nadador Cine \/ Agresywna banda<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n The story follows Diego, a talented but restless young trumpet player, who decides to leave Rome and his girlfriend Alice to join his mentor Nacho in Argentina. There's no contract waiting for him, no career guarantees; Diego is leaving simply because he wants to truly experience being a musician, to put that choice to the test without excuses. The journey soon turns out to be... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Cowboy <\/div>\n\n \n
\n

Golden Cowboy<\/h2>\n
\n Stage :<\/span>\n Advanced Development \/ Filming 2026<\/span>\n <\/div>\n
\n Director :<\/span>\n Sergio Oliveira, Mauro Andrizzi and Renata Pinheiro<\/span>\n <\/div>\n
\n Script :<\/span>\n Sergio Oliveira, Mauro Andrizzi and Renata Pinheiro<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Aroma Films \/ Swimmer Cinema<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Golden Cowboy is the story of two bitter enemies who have discovered the secret of eternal life, but now long to die. Set between late 19th-century Argentina and contemporary Brazil, the film follows the adventures of Afro-Brazilian Pedro Cruz and Romanian Julius Popper, from 19th-century Buenos Aires to... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Lagrima\" <\/div>\n\n \n
\n

Tear<\/h2>\n
\n Stage :<\/span>\n Advanced development filming 2028<\/span>\n <\/div>\n
\n Director :<\/span>\n German Ormaechea and Pablo Doudchitzky<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Animist Cinema (Uruguay) Marcelo Machado Artistic Produ\u00e7\u00f5es (Brazil) Nadador Cinema (Uruguay)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Production Synopsis: \u00c1ngela \u00c1lvez is preparing to portray the singer L\u00e1grima R\u00edos in an opera about the artist's life. After the premiere, she receives a call from Carito Bernardini, L\u00e1grima's youngest granddaughter, who went to see the opera and wants to meet her. They meet in a bar, and Carito tells her that she never got to meet... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Matarifes\" <\/div>\n\n \n
\n

Butchers<\/h2>\n
\n Stage :<\/span>\n Post Production<\/span>\n <\/div>\n
\n Director :<\/span>\n Rafael and Bernardo Antonaccio Sierra<\/span>\n <\/div>\n
\n Script :<\/span>\n Rafael and Bernardo Antonaccio Sierra<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Monarca Films (Uruguay) Hain Cine (Argentina) Blurr Stories (Spain) La Mayor Cine (Uruguay) \/ Nadador Cine (Uruguay)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Montevideo, 1971. When the government imposes a ban on beef in a country based on cattle ranching, a black market emerges. To survive the crisis, Jos\u00e9, a Galician immigrant, sets up a clandestine slaughterhouse with the help of his daughter Rosita. What begins as a desperate family operation soon becomes a thriving underground network... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Mar <\/div>\n\n \n
\n

Golden Sea<\/h2>\n
\n Stage :<\/span>\n development<\/span>\n <\/div>\n
\n Director :<\/span>\n Veronica Chen<\/span>\n <\/div>\n
\n Script :<\/span>\n Veronica Chen<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Layon Films (Argentina) Nadador Cine (Uruguay) Monarca Filmes (Brazil)<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n It's summer and three Argentinian friends, Valen, Luisa, and Pola, are spending a few days at a campsite on the coast, accompanied by Luisa's 8-year-old son, Le\u00f3n. One night, Jorgito, a 6-year-old boy who has become friends with Le\u00f3n, asks Luisa if he can stay in the cabin with them. But Luisa sends him home alone... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"Las <\/div>\n\n \n
\n

The Diamond Tongues<\/h2>\n
\n Stage :<\/span>\n primary development<\/span>\n <\/div>\n
\n Director :<\/span>\n Lorena Mu\u00f1oz<\/span>\n <\/div>\n
\n Script :<\/span>\n Lorena Mu\u00f1oz<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer Cinema<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Synopsis: At the beginning of the 20th century, Juana de Ibarbourou emerged from a small southern country to become one of the most dazzling voices in Spanish literature. While she achieved international acclaim and was crowned \u201cJuana of America,\u201d behind closed doors she faced a very different reality: a marriage marked by violence, a society that tried to tame her... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n
\n \n\n \n
\n \"La <\/div>\n\n \n
\n

The Perfect Woman<\/h2>\n
\n Stage :<\/span>\n primary development<\/span>\n <\/div>\n
\n Director :<\/span>\n Pablo Solarz<\/span>\n <\/div>\n
\n Script :<\/span>\n Pablo Solarz<\/span>\n <\/div>\n
\n Production Companies:<\/span>\n Swimmer Cinema<\/span>\n <\/div>\n <\/div>\n\n \n
\n

Synopsis<\/h3>\n
\n Majo is the perfect woman. A renowned scientist, a loving mother, a great friend, and an exemplary wife. Until one morning, like any other, something inside her changes, and she disappears from her own life. Is it a sudden change? An impulse? A decision that was long overdue? Somewhat absent, but still charming, Majo begins living in a hotel, a tourist in... <\/div>\n <\/div>\n\n <\/a>\n <\/article>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":-1,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2423","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/pages\/2423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/comments?post=2423"}],"version-history":[{"count":2,"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/pages\/2423\/revisions"}],"predecessor-version":[{"id":2427,"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/pages\/2423\/revisions\/2427"}],"wp:attachment":[{"href":"https:\/\/nadadorcine.com\/en\/wp-json\/wp\/v2\/media?parent=2423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}